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This helpful "Armed Forces Information Film" shows how reds operate inside the U.S., and also gives an historical overview of communism. This film makes the FBI look so incompetent that J.Edgar Hoover protested it. Its semi-documentary style attempts to add verisimilitude to this story. This classic B-movie propaganda piece explores the communist threat from within America's own borders. Its main interest here is that it shows the British military to be a bit weak in the global battle to resist Communism. This film concerns a ballarina, truly evil Soviet functionaries, and the difficulties of repatriation. Not a hot ticket for preview audiences with its original name, it was released with the more provocative title of The Woman on Pier 13. Howard Hughes' first of several anti-communist films made at RKO.
TYRON E POWER SPY FULL
In a wonderful bit of irony, the traitorous communist spy is played by Robert Taylor, one of the most "friendly" HUAC witnesses in Hollywood.Ī full blown propaganda "docudrama," this film recounts the life and imprisonment of Joszef Cardinal Mindszenty and portrays communism at its most evil. Trigger gets second billing, just above Dale.īoasting ELizabeth Taylor in her first grown-up role, this film is actually not bad. Perhaps the first Western to be written with an eye toward a subtle anti-communist message, this story of espionage stars Roy Rogers. Spiriting atomic scientists across the Iron Curtain depends on some silly espionage tricks and not very bright communist adversaries.
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Leave it to the Canadians to produce a somewhat less paranoid, somewhat more balanced picture of spies and defection. Re-released 1947 and remade in 1957 as a musical, Silk Stockings.īehind the Iron Curtain (aka The Iron Curtain) Really the only wildly popular anti-communist film ever made. HUAC and the Hollywood Ten Through the 1970's and into the 90'sįilms that may have "implicated" Hollywood and/or the Hollywood Ten Contentsįilms that can be interpreted as reaction against to HUAC activities Today, the Blacklist Credit Committee is working with the Writers Guild of America and the Academy of Motion Picture Arts and Sciences to restore the credits and records of scores of film industry personnel who, along with The Hollywood Ten, were denied employment, forced to write behind the names of "fronts," or utilized pseudonyms because of suspected communist ties. Office of War Information during World War II), indicated that "none of the 159 films credited over a period of years (1929-1949) to The Hollywood Ten contained Communist propaganda." (Cogley, p.226) Jones (who had served as chief of the film reviewing and analysis section of the U.S. An exhaustive analysis of their films, published in 1972 by Dorothy B. Biberman, Lester Cole, Edward Dmytryk, Ring Lardner Jr., John Howard Lawson, Albert Maltz, Samuel Ornitz, Adrian Scott, and Dalton Trumbo paid a huge price at the hands of HUAC. This group came to be known as "The Hollywood Ten." Alvah Bessie, Herbert J. In the end, countless careers were destroyed but only ten individuals actually went to jail. HUAC interrogated many film industry people. Several feature films and a number of documentaries exploring this painful issue round out the list below. As the frightening fifties receded in memory and the political temperment gradually changed with the passing decades, Hollywood found more courage in facing up to the culpability of the film industry itself and its role in supporting gross violations of civil liberties. The following list is a selective filmography of motion pictures that played a role in fueling the Red Scare, in propagandizing the threat of Communism and in a few rare and rather veiled cases, in standing up to the charges of the House Committee on Un-American Activities. The films produced in Hollywood before, during and after the Cold War Red Scare make for an interesting study in the response of a popular medium caught in a political firestorm.